Weiss Kreuz Fan Fiction ❯ Love Song to Desperation ❯ Love Song to Desperation ( Chapter 1 )
[ X - Adult: No readers under 18. Contains Graphic Adult Themes/Extreme violence. ]
Love Song to Desperation by Tanith Night&n bsp;
Fandom: Weiβ Kreuz
Pairings:&n bsp;Schuldig x Yohji
Warnings: Yaoi, Lime,&nb sp;Song Fic
Disclaimer: Disclaimer: I own&nbs p;the world and everything in it, up to& nbsp;and including the boys from Weiss
K reuz. Why am I in a room with padde d walls and oh, what an interesting jack et.
Rating: R
Author’s Not es: On David Bowie’s CD that&nb sp;was released to fan club members only  ;David introduces the
song saying â&eur o;œThis is probably a love song to  ;desperation. It’s a favorite song&n bsp;of mine from the Outside
Album. It&a circ;€™s called the Motel.†I&nb sp;wrote this to the song the paragraphs  ;are during the instrumental
portions in between&n bsp;the lyrics. The chorus was written with&n bsp;the words. The story at this portion  ;is
simultaneously with the lyrics. Okay,&nbs p;everything is explained (I hope). Now on&nb sp;with the story!
lyrics
Schuldig&nbs p;stood at the counter speaking to the d esk clerk. He gave a half smile handing& nbsp;over a credit
card he turned toward Yohji. Yohji was leaning against the wa ll by the door with arms wrapped around& nbsp;
his waist. Schuldig finished paying for& nbsp;the room and made his way over to&n bsp;Yohji. He raised his right
hand and& nbsp;ran it along the left side of his&n bsp;face. With a quick peck on the nose Schuldig led them to their
room.
Ke y in hand Schuldig opened the door and&n bsp;entered pulling Yohji with him. The door& nbsp;shut with hands in
hair, wondering along the body, and breath mingling. They&nbs p;fell into bed never once parting.
For we’re&n bsp;living in a safety zone
Donâ €™t be holding back from me We’re living from hour to  ;hour down here
And we’l l take it when we can
Schuldig remove d Yohji’s shirt slowly lifting it over his head. He then unfastened his jeans a pulled
them down his long& nbsp;legs. Standing at the end of the be d he crossed his arms at the hem of shirt and
lifted. With his shirt p iled on Yohji’s jeans he remove d his jeans. Naked he climbed on the&nbs p;bed
covering Yohji’s body wit h his. His lowered himself so that they& nbsp;were touching from chest to toes.
< i>
It’s the kind of  ;living which recognizes
The death of& nbsp;the odorless man
1
< i>When nothing is vanity nothing’s&n bsp;too slow
It’s not Ed en but it’s no sham
&n bsp;
Schuldig ran a hand through Yohjiâ& euro;™s hair moving it away from his&nb sp;face. As he leaned down Yohji raised
his head to meet half way for a kiss that se emed to last an eternity and sealed thei r souls.
Schuldig kissed his way&n bsp;down Yohji’s body.
There  ;is no hell
Reaching his sex, he&nbs p;took it in his mouth.
There is  ;no shame
Yohji arched while fisting  ;his hands in Schuldig’s hair.
Like an old hell
Yohjiâ€&tr ade;s grip tightened as he reached the p recipice.
There is no hell
Climax ing, Yohji’s entire body relaxed.&nb sp;Schuldig kissed him, both luxuriating on t he taste.
And itâ€&trad e;s lights up, boys
Lights up boy s
The desk clerk stood at  ;the business end of a katana sweating b ullets. Hastily he wrote down a
number.& nbsp;The number was that of the lovers s haring a bed and eternal embrace. Sheathing&n bsp;his katana
Aya, Ken, and Omi ran&nbs p;down the hall to the room indicated on the paper. Clearing their minds of all& nbsp;
thought as they ran. Finding the ro om they stop and breathe. Aya once again unsheathed his katana
in a sweepin g arc. Ken balled his hands into fists&n bsp;exposing each blade of his bagh nakh.&nbs p;Omi removed
a handful of darts one&nbs p;between each finger.
Explosion&n bsp;falls upon deaf ears
While we&acir c;€™re swimming in a sea of sham i>
Living in the shadow of vanity
2
A complex fashion for a simple man
With Yohji&ac irc;€™s knees bent, Schuldig quickly pr epped him.
There is no hell
Schuldig then positioned himself between Yohji&aci rc;€™s spread legs.
There is no shame
Moving&nb sp;in concert.
There is no hell < br> They climaxed together.
Like an old&nb sp;hell
Lowering on to Yohji.
The re is no hell
Heart beating against& nbsp;heart.
And the silence flies on its brief flight
A  ;razor sharp crap shoot affair
And&nbs p;we light up our lives
The&nb sp;three of Weiss enter. Moonlight cascades o ver the two in bed. Walking to the edge of the double
bed Aya raises h is katana above his head. He brought the sword piercing the lovers in the heart& nbsp;with a
single blow.
And there’s no more of me  ;exploding you
Re-exposing you
Like everybody do
Re-exploding you  ;
I don’t know what to u se
3
Make somebody move
Me exploding
Me&n bsp;exploding you
The three remaini ng members of Schwartz stood at the foot of the bed. Farfarello bowed his head at a
fallen comrade. Nagi had tears running down his face and furniture&nbs p;began to rise ever so slightly.
Adjusting his glasses Crawford placed a comforting hand on Nagi&aci rc;€™s shoulder. Turning and walking ou t
of the room he said…&nb sp;“bring them.â€
4
Fandom: Weiβ Kreuz
Pairings:&n bsp;Schuldig x Yohji
Warnings: Yaoi, Lime,&nb sp;Song Fic
Disclaimer: Disclaimer: I own&nbs p;the world and everything in it, up to& nbsp;and including the boys from Weiss
K reuz. Why am I in a room with padde d walls and oh, what an interesting jack et.
Rating: R
Author’s Not es: On David Bowie’s CD that&nb sp;was released to fan club members only  ;David introduces the
song saying â&eur o;œThis is probably a love song to  ;desperation. It’s a favorite song&n bsp;of mine from the Outside
Album. It&a circ;€™s called the Motel.†I&nb sp;wrote this to the song the paragraphs  ;are during the instrumental
portions in between&n bsp;the lyrics. The chorus was written with&n bsp;the words. The story at this portion  ;is
simultaneously with the lyrics. Okay,&nbs p;everything is explained (I hope). Now on&nb sp;with the story!
lyrics
Schuldig&nbs p;stood at the counter speaking to the d esk clerk. He gave a half smile handing& nbsp;over a credit
card he turned toward Yohji. Yohji was leaning against the wa ll by the door with arms wrapped around& nbsp;
his waist. Schuldig finished paying for& nbsp;the room and made his way over to&n bsp;Yohji. He raised his right
hand and& nbsp;ran it along the left side of his&n bsp;face. With a quick peck on the nose Schuldig led them to their
room.
Ke y in hand Schuldig opened the door and&n bsp;entered pulling Yohji with him. The door& nbsp;shut with hands in
hair, wondering along the body, and breath mingling. They&nbs p;fell into bed never once parting.
For we’re&n bsp;living in a safety zone
Donâ €™t be holding back from me We’re living from hour to  ;hour down here
And we’l l take it when we can
Schuldig remove d Yohji’s shirt slowly lifting it over his head. He then unfastened his jeans a pulled
them down his long& nbsp;legs. Standing at the end of the be d he crossed his arms at the hem of shirt and
lifted. With his shirt p iled on Yohji’s jeans he remove d his jeans. Naked he climbed on the&nbs p;bed
covering Yohji’s body wit h his. His lowered himself so that they& nbsp;were touching from chest to toes.
< i>
It’s the kind of  ;living which recognizes
The death of& nbsp;the odorless man
1
< i>When nothing is vanity nothing’s&n bsp;too slow
It’s not Ed en but it’s no sham
&n bsp;
Schuldig ran a hand through Yohjiâ& euro;™s hair moving it away from his&nb sp;face. As he leaned down Yohji raised
his head to meet half way for a kiss that se emed to last an eternity and sealed thei r souls.
Schuldig kissed his way&n bsp;down Yohji’s body.
There  ;is no hell
Reaching his sex, he&nbs p;took it in his mouth.
There is  ;no shame
Yohji arched while fisting  ;his hands in Schuldig’s hair.
Like an old hell
Yohjiâ€&tr ade;s grip tightened as he reached the p recipice.
There is no hell
Climax ing, Yohji’s entire body relaxed.&nb sp;Schuldig kissed him, both luxuriating on t he taste.
And itâ€&trad e;s lights up, boys
Lights up boy s
The desk clerk stood at  ;the business end of a katana sweating b ullets. Hastily he wrote down a
number.& nbsp;The number was that of the lovers s haring a bed and eternal embrace. Sheathing&n bsp;his katana
Aya, Ken, and Omi ran&nbs p;down the hall to the room indicated on the paper. Clearing their minds of all& nbsp;
thought as they ran. Finding the ro om they stop and breathe. Aya once again unsheathed his katana
in a sweepin g arc. Ken balled his hands into fists&n bsp;exposing each blade of his bagh nakh.&nbs p;Omi removed
a handful of darts one&nbs p;between each finger.
Explosion&n bsp;falls upon deaf ears
While we&acir c;€™re swimming in a sea of sham i>
Living in the shadow of vanity
2
A complex fashion for a simple man
With Yohji&ac irc;€™s knees bent, Schuldig quickly pr epped him.
There is no hell
Schuldig then positioned himself between Yohji&aci rc;€™s spread legs.
There is no shame
Moving&nb sp;in concert.
There is no hell < br> They climaxed together.
Like an old&nb sp;hell
Lowering on to Yohji.
The re is no hell
Heart beating against& nbsp;heart.
And the silence flies on its brief flight
A  ;razor sharp crap shoot affair
And&nbs p;we light up our lives
The&nb sp;three of Weiss enter. Moonlight cascades o ver the two in bed. Walking to the edge of the double
bed Aya raises h is katana above his head. He brought the sword piercing the lovers in the heart& nbsp;with a
single blow.
And there’s no more of me  ;exploding you
Re-exposing you
Like everybody do
Re-exploding you  ;
I don’t know what to u se
3
Make somebody move
Me exploding
Me&n bsp;exploding you
The three remaini ng members of Schwartz stood at the foot of the bed. Farfarello bowed his head at a
fallen comrade. Nagi had tears running down his face and furniture&nbs p;began to rise ever so slightly.
Adjusting his glasses Crawford placed a comforting hand on Nagi&aci rc;€™s shoulder. Turning and walking ou t
of the room he said…&nb sp;“bring them.â€
4